Click the button below to read Kapsula Magazine's February issue: LONGING 2/3, where my essay, Museum Misalignments (page 17) was published this month.
Museums have varying degrees of visual and conceptual accuracy, which is rooted in the impossibility to present a complete and accurate version of history (Shafernich 1993, 45). In some cases this inaccuracy is visual, resulting in a crude or even grotesque appearance. In other examples it is the actual story being told that seems grossly incorrect. I will describe three American museums that demonstrate the beauty in imprecision and in some cases, the deeply disturbing (and even problematic) vulnerabilities of representation: the House on the Rock in rural Wisconsin, the Thorne Miniature Rooms at the Art Institute of Chicago, and Thomas Jefferson’s Monticello in Virginia. In each example, I describe instances of unintentional slippage. My intention is not to critique, necessarily, but to confirm the impossibility of achieving perfection and how representational errors are reverberations of our ever-present longing to remember.
Taking the democratized, dispersed nature of the Internet as its basis, KAPSULA offers a venue for texts that may be unsuited to more conventional publications due to unusual or critical stances, formats, or subjects. By promoting strong writing that is critical, but not cruel, KAPSULA champions art criticism relevant to readers outside the limited audience of art critics themselves.
Despite maintaining contemporary relevance in all issues, the publication is not limited by time-period. KAPSULA places a special emphasis on exploratory art writing and alternative formats such as ficto-criticism, interviews, or illustrated texts.
KAPSULA is a capsule collection of sorts—
an accessible compendium of exciting and experimental art criticism.